The Sentinel | Arthur C. Clarke (1951)

The next time you see the full moon high in the south, look carefully at its right-hand edge and let your eye travel upward along the curve of the disk. Round about two o’clock you will notice a small, dark oval: anyone with normal eyesight can find it quite easily. It is the great walled plain, one of the finest on the Moon, known as the Mare Crisium — the Sea of Crises. Three hundred miles in diameter, and almost completely surrounded by a ring of magnificent mountains, it had never been explored until we entered it in the late summer of 1996.

Our expedition was a large one. We had two heavy freighters which had flown our supplies and equipment from the main lunar base in the Mare Serenitatis, five hundred miles away. There were also three small rockets which were intended for short-range transport over regions which our surface vehicles couldn’t cross. Luckily, most of the Mare Crisium is very flat. There are none of the great crevasses so common and so dangerous elsewhere, and very few craters or mountains of any size. As far as we could tell, our powerful caterpillar tractors would have no difficulty in taking us wherever we wished to go.

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A Matter of Magnitude | Al Sevcik (1960)

The ship, for reasons that had to do with the politics of appropriations, was named Senator Joseph L. Holloway, but the press and the public called her Big Joe. Her captain, six-star Admiral Heselton, thought of her as Great Big Joe, and never fully got over being awestruck at the size of his command.

“She’s a mighty big ship, Rogers,” he said proudly to the navigator, ignoring the latter’s rather vacant stare and fixed smile. “More than a mile long, and wider than hell.” He waved his hands expansively. “She’s never touched down on Earth, you know. Never will. Too big for that. They built her on the moon. The cost? Well…”

Swiveling his chair around, Heselton slowly surveyed the ship’s control room with a small, satisfied smile. The two pilots sitting far forward, almost hidden by their banks of instruments, the radar operators idly watching their scopes, the three flight engineers sitting intently at their enormous control consoles, and, just behind, the radio shack—its closed door undoubtedly hiding a game of cards. For weeks now, as Big Joe moved across the galaxy’s uncharted fringe, the radio bands had been completely dead, except, of course, for the usual star static hissing and burbling in the background.

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Foundling on Venus | John & Dorothy de Courcy (1954)

Unlike Gaul, the north continent of Venus is divided into four parts. No Caesar has set foot here either, nor shall one—for the dank, stinging, caustic air swallows up the lives of men and only Venus may say, I conquered.

This is colonized Venus, where one may walk without the threat of sudden death—except from other men—the most bitterly fought for, the dearest, bloodiest, most worthless land in the solar system.

Separated by men into East and West at the center of the Twilight Zone, the division across the continent is the irregular, jagged line of Mud River, springing from the Great Serpent Range.

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Death Star | James McKimmey Jr. (1953)

Hurtz went through the automatic motions of preparing himself for their landing on the small unnamed planet, but each thing he did was a wasted motion because it was really the boy, Jones, who was going to put the rocket down. And what could Hurtz do now?

Hurtz touched his rough cheek with the back of his hand and swore silently. The hard, aging muscles of his body were taut, and although the lines about his eyes had deepened, his eyes, blue and sparkling, still retained their old ferocity. His eyebrows, although nearly completely gray now, intensified that ferocity with their thickness.

Jones, the boy, moved his hands and the rocket made its turn clumsily, pointing its blazing fins at the strange globe beyond.

Hurtz shook his head and asked himself why he had ever tried to help this cocky, all-knowing kid with the thin mouth and short-clipped hair.

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