There was no question that Montie Stein had, through clever fraud, stolen better than $100,000. There was also no question that he was apprehended one day after the statute of limitations had expired.
It was his manner of avoiding arrest during that interval that brought on the epoch-making case of the State of New York v. Montgomery Harlow Stein, with all its consequences. It introduced law to the fourth dimension.
For, you see, after having committed the fraud and possessed himself of the hundred grand plus, Stein had calmly entered a time machine, of which he was in illegal possession, and set the controls for seven years and one day in the future.
The doctors have left and I am told that in a few hours I shall die. In my lifetime the world has progressed from the chaotic turmoil of the early Atomic era to the peacefulness and tranquility of our present age, and I die content.
For ten years I have instructed you in all that you will need for the future. One final lesson remains to be taught.
Dun was a hard little city, proud and harsh; but impregnable because it was built upon a high rock. The host of the Visigoths had besieged it for months in vain. Then came a fugitive from the city, at midnight, to the tent of Alaric, the Chief of the besiegers.
The man was haggard and torn. His eyes were wild, his hands trembling. The Chief held and steadied him with a look.
“Who are you?” he asked. “Your name, the purpose that brings you here?”
In time as well as space my fancy roams far from here. It led me once to the edge of certain cliffs that were low and red and rose up out of a desert: a little way off in the desert there was a city. It was evening, and I sat and watched the city.
Presently I saw men by threes and fours come softly stealing out of that city’s gate to the number of about twenty. I heard the hum of men’s voices speaking at evening.
“It is well they are gone,” they said. “It is well they are gone. We can do business now. It is well they are gone.” And the men that had left the city sped away over the sand and so passed into the twilight.
“Who are these men?” I said to my glittering leader.
“The poets,” my fancy answered. “The poets and artists.”
“Why do they steal away?” I said to him. “And why are the people glad that they have gone?”
He said: “It must be some doom that is going to fall on the city, something has warned them and they have stolen away. Nothing may warn the people.”
I heard the wrangling voices, glad with commerce, rise up from the city. And then I also departed, for there was an ominous look on the face of the sky.
And only a thousand years later I passed that way, and there was nothing, even among the weeds, of what had been that city.
Edward John Moreton Drax Plunkett, 18th Baron of Dunsany, was an Anglo-Irish writer and dramatist, who went by the pen name of Lord Dunsany (1878-1957) and wrote over 90 volumes of fiction, essays, poems and plays over the course of his life. His short story, “The City”, was first published in 1915 as part of his book Fifty-One Tales, a collection of fantasy short stories which is considered to have been a major influence on the work of early fantasy writers such as J.R.R. Tolkien, H.P. Lovecraft, and others.
When that happened which had been so long in happening and the world hit a black, uncharted star, certain tremendous creatures out of some other world came peering among the cinders to see if there were anything there that it were worth while to remember. They spoke of the great things that the world was known to have had; they mentioned the mammoth. And presently they saw man’s temples, silent and windowless, staring like empty skulls.
“Some great thing has been here,” one said, “in these huge places.” “It was the mammoth,” said one. “Something greater than he,” said another.
And then they found that the greatest thing in the world had been the dreams of man.
Edward John Moreton Drax Plunkett, 18th Baron of Dunsany, was an Anglo-Irish writer and dramatist, who went by the pen name of Lord Dunsany (1878-1957) and wrote over 90 volumes of fiction, essays, poems and plays over the course of his life. His short story, “After the Fire”, was first published in 1915 as part of his book Fifty-One Tales, a collection of fantasy short stories which is considered to have been a major influence on the work of early fantasy writers such as J.R.R. Tolkien, H.P. Lovecraft, and others.
Legend had it, that many thousands of years ago, right after the Great Horror, the whole continent of the west had slowly sunk beneath the West Water, and that once every century it arose during a full moon. Still, Captain Hinrik clung to the hope that the legend would not be borne out by truth. Perhaps the west continent still existed; perhaps, dare he hope, with civilization. The crew of the Semilunis thought him quite mad. After all, hadn’t the east and south continents been completely annihilated from the great sky fires; and wasn’t it said that they had suffered but a fraction of what the west continent had endured?
The Semilunis anchored at the mouth of a great river. The months of fear and doubt were at end. Here, at last, was the west continent. A small party of scouts was sent ashore with many cautions to be alert for luminescent areas which meant certain death for those who remained too long in its vicinity. Armed with bow and arrow, the party made its way slowly up the great river. Nowhere was to be seen the color green, only dull browns and greys. And no sign of life, save for an occasional patch of lichen on a rock.
After several days of rowing, the food and water supply was almost half depleted and still no evidence of either past or present habitation. It was time to turn back, to travel all the weary months across the West Water, the journey all in vain. What a small reward for such an arduous trip … just proof of the existence of a barren land mass, ugly and useless.
On the second day of the return to the Semilunis, the scouting party decided to stop and investigate a huge opening in the rocky mountainside. How suspiciously regular and even it looked, particularly in comparison to the rest of the countryside which was jagged and chaotic.
They entered the cave apprehensively, torches aflare and weapons in hand. But all was darkness and quiet. Still, the regularity of the cave walls led them on. Some creature, man or otherwise, must have planned and built this … but to what end? Now the cave divided into three forks. The torches gave only a hint of the immensity of the chambers that lay at the end of each. They selected the center chamber, approaching cautiously, breath caught in awe and excitement. The torches reflected on a dull black surface which was divided into many, many little squares. The sameness of them stretched for uncountable yards in all directions. What were these ungodly looking edifices? The black surface was cold and smooth to the touch and quite regular except for a strange little hole at the bottom of each square and a curious row of pictures along the top.
They would copy these strange pictures. Perhaps back home there would be a scholar who would understand the meaning behind these last remains of the people of the west continent. The leader took out his slate and painstakingly copied:
Safeguard your valuables at ALLEGHANY MOUNTAIN VAULTS Box #4544356782
Therese Windser’s short story, “Longevity”, was first published in the May 1960 issue of Amazing Science Fiction Stories.
The horrible conclusion which had been gradually obtruding itself upon my confused and reluctant mind was now an awful certainty. I was lost, completely, hopelessly lost in the vast and labyrinthine recesses of the Mammoth Cave. Turn as I might, in no direction could my straining vision seize on any object capable of serving as a guidepost to set me on the outward path. That nevermore should I behold the blessed light of day, or scan the pleasant hills and dales of the beautiful world outside, my reason could no longer entertain the slightest unbelief. Hope had departed. Yet, indoctrinated as I was by a life of philosophical study, I derived no small measure of satisfaction from my unimpassioned demeanour; for although I had frequently read of the wild frenzies into which were thrown the victims of similar situations, I experienced none of these, but stood quiet as soon as I clearly realised the loss of my bearings.
Nor did the thought that I had probably wandered beyond the utmost limits of an ordinary search cause me to abandon my composure even for a moment. If I must die, I reflected, then was this terrible yet majestic cavern as welcome a sepulchre as that which any churchyard might afford; a conception which carried with it more of tranquility than of despair.
Fredric Brown was an American science fiction, fantasy, and mystery fiction writer, who was well known for his use of humour and his mastery of the so-called “short-short” form of story-telling. That is, short stories of between one to three pages in length, often with ingenious plotting devices and surprise endings. One of his best-known stories, “Arena”, was even adapted to a 1967 episode of the American television series Star Trek! Click on the video above to find out more…
To see more flash fiction (or “short-short”) stories written by Fredric Brown, take a look at our YouTube playlist below.
The room was quiet in the dimness of early evening. Dr James Graham, key scientist of a very important project, sat in his favourite chair, thinking. It was so still that he could hear the turning of pages in the next room as his son leafed through a picture book.
Often Graham did his best work, his most creative thinking, under these circumstances, sitting alone in an unlighted room in his own apartment after the day’s regular work. But tonight his mind would not work constructively. Mostly he thought about his mentally arrested son — his only son — in the next room. The thoughts were loving thoughts, not the bitter anguish he had felt years ago when he had first learned of the boy’s condition. The boy was happy; wasn’t that the main thing? And to how many men is given a child who will always be a child, who will not grow up to leave him? Certainly that was rationalization, but what is wrong with rationalization when — The doorbell rang.
Isaac Asimov was a Russian-born American writer and professor of biochemistry at Boston University. A prolific worker, Asimov wrote and edited more than 500 books over the course of his career and was considered one of the “Big Three” writers of science fiction, along with Robert A. Heinlein and Arthur C. Clarke. His most famous work is the Foundation series, which won Asimov a prestigious Hugo Award for “Best All-Time Series” in 1966. Click on the video above to find out more…
And to see more flash fiction stories from the pen of Isaac Asimov, take a look at our YouTube playlist below.
Cyborg Ink 